Following the eclectic charm and intimacy of 1970's solo McCartney and 1971's homespun lo-fi indie-pop progenitor RAM credited to Paul and Linda McCartney, Wild Life found Paul once again redefining his post-Beatles creative identity, this time beginning his tenure as a founding member of Wings. A rollicking left turn from its predecessors, Wild Life was recorded in barely more than a week, with more than half of the songs captured in a single take. The end result would be eight songs running the gamut from joyous freewheeling jams to proto-chamber pop to spare introspective musings — all bristling with a raw, jagged energy akin to the grungiest of garage bands—whether on the careening blues-rock rave-up of opener "Mumbo," a reggae-tinged reimagining of Mickey & Sylvia's "Love Is Strange," or the plaintive and heart wrenching ballad "Dear Friend."

Ghost one of the most esteemed and celebrated rock bands in the world today return with their fifth psalm, IMPERA, fronted by the newly anointed Papa Emeritus IV.  A dozen songs take on themes of isolation and demigod worship, as well as colonization of both space and mind.   And all with the infectious hooky brand of rock their fans have grown accustomed. 

Super Deluxe contains 5 CDs showcasing the newly remastered album from the original analog tapes along with 4 complete concerts on the Nevermind Tour from Amsterdam, Melbourne, Tokyo and Del Mar, California. Additionally, a Blu-ray of the complete Live in Amsterdam concert video (newly remastered in HD) is included along with a 40-page hardcover book with unreleased photos.

March 2022, rock icons KISS will release the next installment of their Off The Soundboard official live bootleg series with KISS - Off The Soundboard: Live In Virginia Beach, recorded live at the Virginia Beach Amphitheatre on July 25, 2004.

Off The Soundboard: Live In Virginia Beach finds the legendary band in the midst of their `Rock The Nation' Tour, which is notable for being the first full U.S. tour of the longstanding Paul Stanley, Gene Simmons, Tommy Thayer, and Eric Singer lineup. The career-spanning 20-song set includes classic KISS tracks such as "Lick It Up," "I Love It Loud," and the worldwide smash and No. 11 1979 U.S. Billboard charting "I Was Made For Lovin' You," as well as perennial KISS fan favorites "Makin' Love," "King Of The Night Time World," and "100,000 Years" that dig deep into the band's astonishing 40+ year back catalog.

KISS are globally recognized as one of the greatest live bands of all time and are the creators of what is universally considered the best live album ever, 1975's gold-certified and No. 9 Billboard charting Alive!. The KISS - Off The Soundboard series continues their storied legacy of groundbreaking live albums with a document of the spectacular, larger-than-life extravaganza that is a KISS concert.

KISS OFF THE SOUNDBOARD: LIVE IN VIRGINIA BEACH 3 X LP

Terraplane takes its title from the 1930s Hudson Motor Car Company of Detroit model, which also inspired the Robert Johnson song, "Terraplane Blues." It is Earle's 16th studio album since the release of his highly influential 1986 debut Guitar Town. As its title suggests, the album is very much a blues record, some of which was written while Earle toured Europe alone for five weeks with just a guitar, a mandolin and a backpack. Earle, who was raised outside of San Antonio before migrating to Houston, offers about Texas blues, "There was Fort Worth where the model was Freddy King and there was the Houston scene which was dominated by Lightnin' Hopkins. Two very different styles." He saw both of these giants and was also exposed to Johnny Winter, Jimmy and Stevie Ray Vaughn and Billy Gibbons - all of which make their influence heard here within Earle's masterful storytelling. This is the first time this record has been pressed on color vinyl.

Celebrating the 50th anniversary of the Mothers Of Invention’s ‘71 line-ups, the complete Fillmore tapes are showcased with every note played over 4 shows, including the John Lennon/Yoko Ono encore, majority of tracks are newly mixed. Additionally, the full concert from the Rainbow Theatre in London where FZ was infamously pushed off the stage is newly mixed by Eddie Kramer. The box also features a bonus hybrid concert from Harrisburg & Scranton, PA 1971 and extensive liner notes & packaging.

Also Available Live at Rainbow Theatre [3LP], Live At Fillmore East, June 1971: 50th Anniversary [3LP]

The historic and infamous final show of the Flo & Eddie line-up with The Mothers in its entirety. The show was a success until FZ was shockingly pushed off stage by a concert attendee, resulting in grave injuries for FZ causing the cancellation of the tour and ultimately the band. Featuring a brand new 2021 mix & liner notes by Eddie Kramer and mastering by Bernie Grundman. Pressed onto a 3 LP set on 180g by Optimal:Media in Germany.

Also Available The Mothers 1971 [Super Deluxe Edition 8CD Box Set], Live At Fillmore East, June 1971: 50th Anniversary [3LP]

Ghosts of West Virginia centers on the Upper Big Branch coal mine explosion that killed twenty-nine men in that state in 2010, making it one of the worst mining disasters in American history. When asked about what drove him to craft his deeply evocative new album, Steve Earle says, 'I thought that, given the way things are now, it was maybe my responsibility to make a record that spoke to and for people who didn't vote the way that I did,' he says. 'One of the dangers that we're in is if people like me keep thinking that everybody who voted for Trump is a racist or an asshole, then we're fucked, because it's simply not true. So this is one move toward something that might take a generation to change. I wanted to do something where that dialogue could begin.' In ten deftly drawn, roughly eloquent, powerfully conveyed sonic portraits, Earle and his long-time band the Dukes explore the historical role of coal in rural communities. More than merely a question of jobs and income, mining has provided a sense of unity and meaning, patriotic pride and purpose 'I said I wanted to speak to people that didn't necessarily vote the way that I did,' he says, 'but that doesn't mean we don't have anything in common. We need to learn how to communicate with each other. My involvement in this project is my little contribution to that effort. And the way to do that ' and to do it impeccably ' is simply to honor those guys who died at Upper Big Branch.'