Browse Artist B

Holland Import Limited 180 gram heavyweight vinyl LP pressing. The Best of The B-52's: Dance This Mess Around is an excellent summation of the group's late-1970s/early 1980s heyday, featuring such staples as 'Wig', 'Give Me Back My Man', 'Song For A Future Generation', '52 Girls', 'Private Idaho', 'Strobe Light', 'Devil in My Car', 'Planet Claire' and 'Rock Lobster'. It is arguably the best compilation of the group's work. Dance This Mess Around is a first-rate survey of the band's best (and most groundbreaking) years.

Hot Sauce Committee Part Two is the eighth and final studio album by the American hip hopband Beastie Boys, released on April 27, 2011. The album received critical acclaim upon its release and was also a moderate commercial success, debuting at No. 2 on the Billboard 200 chart. The release was supported by four singles – "Lee Majors Come Again", "Too Many Rappers" featuring Nas, "Make Some Noise", and "Don't Play No Game That I Can't Win" featuring Santigold. Pressed on 180G vinyl.

To the 5 Boroughs is the sixth studio album by the Beastie Boys. The album was released on June 15, 2004 internationally, and debuted #1 on the Billboard 200. Featuring the singles Ch-Check It Out, Triple Trouble, Right Right Now Now, and An Open Letter To NYC. Pressed on Limited Edition 180-Gram Blue Vinyl.

The Root Down EP from Beastie Boys was released on May 23, 1995. The first three tracks are variations of the track "Root Down", and the remaining seven tracks were recorded "live in Europe, winter 1995". Pressed on 180-Gram Black vinyl.

Sgt. Pepper's Lonely Hearts Club Band's 2017 stereo mix as a 1-LP 180-gram black vinyl. Produced by Giles Martin for this year's universally heralded 'Sgt. Pepper' Anniversary Edition releases, the album's new stereo mix was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by Giles' father, George Martin. Praised by fans and music critics around the world, The Beatles' 'Sgt. Pepper' Anniversary Edition is 2017's most celebrated historical music release and an ideal gift for Beatle People here, there, and everywhere.

In 2011, the original three members of Ben Folds Five came together to record three new studio tracks for The Best Imitation Of Myself: A Retrospective, a career-spanning Ben Folds anthology. With the band's magic rekindled while making the new tracks, Ben Folds Five gave its first concert in more than a decade to a spellbound audience at New York s Mountain Jam Festival on June 2, 2012. Now, Ben Folds Five return with The Sound Of The Life Of The Mind, the group's first album of new music in 13 years.

Cheek To Cheek features classic jazz standards sung by Lady Gaga and Tony Bennett in a combination of vocal duets and solo performances. From the title track to “But Beautiful” to “I Won’t Dance,” the record’s duets showcase the chemistry between the two artists, who span 60 years in age.

The new Abbey Roadrelease features thenew stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles Martin working with Sam Okell, was guided by the album’s original stereo mix supervised by his father, George Martin.

Tony Bennett and Diana Krall celebrate their shared love of the music of George and Ira Gershwin on their new collaborative album, LOVE IS HERE TO STAY, set for a September 14th release.

LOVE IS HERE TO STAY is a subtle, sophisticated and beautifully rendered love letter to The Gershwins’ music and their status as one of the premiere songwriters of the American popular standard. It is a masterclass in vocal delivery and phrasing and the command that Bennett and Krall display of the material in both their duets and solo tracks makes it appear effortless, belying the honed skill of the vocalists. The duet tracks include “S’Wonderful,” “I’ve Got Rhythm,” “They Can’t Take That Away from Me” and “Fascinating Rhythm,” among them. “Fascinating Rhythm” was Tony Bennett’s first physical recording in 1949, made under his then stage name, Joe Bari, which he revisits as a duet with Krall for this project.