Browse Artist Z

Carnegie Hall is a quadruple live album on 3CD's by Frank Zappa and The Mothers of Invention, released posthumously on October 31, 2011, by the Zappa Family Trust. It is a mono recording of the two shows given on October 11, 1971 at Carnegie Hall in New York. It is sixth installment that is dedicated to the posthumous release of complete Zappa concerts, following the releases of FZ:OZ (2002), Buffalo (2007), Wazoo (2007), Philly '76 (2009) and Hammersmith Odeon (2010).

The Hot Rats Sessions box set celebrates the 50th anniversary of one of the greatest albums in the history of recorded music. The original 1969 Frank Zappa album was the first record to be recorded on a prototype 16-Track Tape Machine. Self-described as a 'Movie For Your Ears,' it was technically the second solo outing for the composer and the album that put FZ on the map as a guitar player. The recording sessions produced a wealth of material that ended up being sprinkled among multiple releases during FZ's lifetime. This mammoth six disc collection documents and compiles every composition recorded during those days in July 1969, along with an abundance of rare mixes, Vault nuggets and complete basic tracks mixed from the original multi-track masters by Craig Parker Adams in 2019. Additional gems include images by original Hot Rats cover photographer, Andee Nathanson, and session photos taken by Bill Gubbins, liner notes by Matt Groening and essays by Ian Underwood, Andee Nathanson and Vaultmeister Joe Travers. The box set also includes a Zappa Land board game in celebration of this release with custom game pieces, dice and playing cards. Featuring 65 tracks, all but 6 tracks are previously unreleased. The 6 tracks previously available are from the 1987 CD mixes which have been out of print since 2012. Also available as a 1LP of the original album, pressed on hot pink vinyl, pressed at Pallas.

One of the most iconic and infamous titles in FZ's entire catalog, Joe's Garage, has gone down in history as one of Frank Zappa's greatest works. This 1979 epic in three acts, on three discs, predicted the future of censorship, self described by FZ as: 'A stupid little story about how the government is going to do away with music.'

Hot Rats cemented Frank Zappa as a musical force to be reckoned with. The album, recorded on a prototype 16-track recorder, sounds as fresh & sonically superior on this 180 gram audiophile edition as it did when first released in 1969. Blending rock and jazz stylings with top call studio musicians, it opened the door to 'Fusion Music' while putting FZ on the guitar player map. Captain Beefheart makes a special guest appearance. It truly is a 'Movie For Your Ears.'

Apostrophe('), 2014 Vinyl Re-Issue, 40th Anniversary 180g Audiophile Vinyl Cut directly from Original 1/4' Stereo Analog Master Tapes Remastered by Chris Bellman at Bernie Grundman Mastering, Pressed at Pallas in Germany The Iconic 1974 release containing 'Don't Eat The Yellow Snow' & 'Cosmik Debris' Was also a Gold Record, but this one you can play!

2013 vinyl LP reissue. Musically wrought with Zappa's identifiable touch, this gatefold reissue of the 1973 classic LP gathers up 7 FZ classics that managed to bring a first gold album into his stash. Accompanied by "the Mothers," Frank jackhammered his way through boundary-pushing lyrics, funky rhythms, heavy rock guitar, implied messages of male stupidity, and as always, attacks at social consciousness and political correctness tucked in between. Never one to miss an opportunity to vent through his music, Zappa excels in "Camarillo Brillo," "I'm the Slime," "Dirty Love," "Fifty-Fifty." Zomby Woof," "Dinah-Moe Humm" and "Montana." Catch Tina Turner and the Ikettes with some uncredited backup vocals in the last cut.

Freak Out! Is the debut album by American band the Mothers of Invention, released June 27, 1966 on Verve Records. Often cited as one of rock music's first concept albums, the album is a satirical expression of front man Frank Zappa's perception of American pop culture. It was also one of the earliest double albums in rock music (although Bob Dylan's Blonde on Blonde preceded it by a week), and the first 2-record debut. Mothers of Invention changed from an R&B covers band to performing Zappa's original material when he joined the group. Freak Out! Contains a range of musical styles from R&B, doo wop, and blues-influenced rock to orchestral arrangements and avant-garde sounds. In 1999, the album was honored with the Grammy Hall of Fame Award, and in 2003, Rolling Stone ranked it among the 500 Greatest Albums of All Time. "A master guitarist and provocateur, Frank Zappa made more than 60 albums, but the first was perhaps the most groundbreaking. The double disc declared the arrival of a visionary weirdo who dabbled in doo-wop, pop-song parody, protest tunes, art rock and avant-garde classical. " - Rollingstone This double 180 gram vinyl pressing was mastered by Chris Bellman at Bernie Grundman mastering..

Double LP reissue in celebration of the 40th Anniversary of Frank Zappa & The Mothers at the Roxy in Hollywood, December 1973. This double LP contains music which was recorded at the Roxy Theater in Hollywood. However, nearly all of the music was overdubbed later in the studio.

The first release under the new Zappa Records/UMe agreement, this remastered 40th Anniversary Edition of Frank Zappa and the Mothers of Invention's One Size Fits All album, will be released on 180-gram vinyl. Originally released in 1975, it was Zappa's final album with the Mothers of Invention line-up, featuring guest vocals by Johnny 'Guitar' Watson on two tracks, 'San Ber'dino' and 'Andy.'

Frank Zappa and The Mothers of Invention released this double album in 1969 which was originally developed as "No Commercial Potential" a project which spawned 3 other albums sharing a conceptual connection: "We're Only In It For the Money", "Lumpy Gravy" and "Cruising With Ruben & The Jets".

Burnt Weeny Sandwich receives a 180-gram audiophile repressing on black vinyl via Zappa Records/UMe. Supervised by the ZFT, the record was specially mastered for this release by Bernie Grundman with all analog production and cut directly from the 1970 ¼: stereo safety master tape in 2018. Unavailable on vinyl for more than three decades, the LP will include the original album's black and white poster, which has never been reproduced in any of the album's CD editions.

Limited double 180 gram vinyl LP repressing. Originally released in 1979, Sheik Yerbouti was Zappa's first album to be released on Zappa Records and contains the FM radio hits 'Dancin' Foot' and 'Bobby Brown' amongst others. Sheik Yerbouti represented a major turning point in Zappa's career. It emphasized the comedic aspect of his lyrics more than ever before, beginning a period of increased record sales and mainstream media attention. Sheik Yerbouti remains Zappa's biggest selling album worldwide with over two million units sold to date. The title is a play on words; Zappa appears on the cover in character in Arab headdress, and the name, meant to resemble an Arabic transcription, is pronounced like the title of KC and the Sunshine Band's 1976 disco hit "Shake Your Booty".

Weasels Ripped My Flesh, released in 1970, is the last release featuring the original Mothers Of Invention which FZ disbanded the year prior. Comprised of studio and live tracks, its musical diversity is showcased by incorporating elements ranging from avant-garde and experimental to R&B and Rock. Newly pressed from the master analog tape to 180g vinyl.

Vinyl LP pressing. Chunga's Revenge is the third solo album by Frank Zappa, originally released in 1970. Zappa's first effort of the 1970s marks the first appearance of former Turtles members Flo & Eddie on a Zappa record, and signals the dawn of a controversial epoch in Zappa's history. Chunga's Revenge represents a shift from both the satirical political commentary of his 1960s work with The Mothers of Invention, and the jazz fusion of Hot Rats. The material presented on Chunga's Revenge is eclectic: side one includes a guitar jam ("Transylvania Boogie"), a bluesy amble ("Road Ladies"), a jazz interlude ("Twenty Small Cigars") and an avant garde live improvisation ("The Nancy and Mary Music") drawn from "King Kong" and other songs from a July 1970 Mothers performance. Several poppy numbers ("Tell Me You Love Me", "Would You Go All the Way?", "Rudy Wants to Buy Yez a Drink", "Sharleena") appear on the second side along with the improvisational title track.

Double 180gm vinyl LP pressing with laser etching. The Zappa Family Trust marks the 50th Anniversary of Frank Zappa & The Mothers Of Invention's 1967 album Absolutely Free with an expanded vinyl-exclusive edition. This double 180 gram LP version includes the original record mastered by Bernie Grundman and cut directly from the original analog master tapes, plus a laser-etched additional disc including 20 minutes of bonus material from the vault. The package features FZ's original layout and libretto. Absolutely Free turns 50!! Absolutely Free is the second studio album by the Mothers of Invention. Absolutely Free is a display of complex musical composition with political and social satire. This album's emphasis is on interconnected movements, as each side of the original vinyl LP comprises a mini-suite. It also features one of the most famous songs of Zappa's early career, "Brown Shoes Don't Make It", a track which has been described as a "condensed two-hour musical".

Vinyl LP pressing. Zoot Allures is a 1976 rock album by Frank Zappa. This was Zappa's only release on the Warner Bros. Records label. Due to a lawsuit with his former manager, Herb Cohen, Frank Zappa's recording contract was temporarily reassigned from DiscReet Records to Warner Bros. The album was originally conceptualized as a double LP, but Zappa rearranged, edited, and shortened the track listing to what was eventually released as a single album. Zappa recorded the album after completing a world tour with a band including Napoleon Murphy Brock on tenor sax and vocals, Andre Lewis on keyboards, Roy Estrada on bass and Terry Bozzio on drums. However, this band appeared only on the live track "Black Napkins" with only Bozzio retained to play on the sessions, although Lewis and Estrada contributed backing vocals.

Assembled by Frank Zappa 50 years ago in response to the multitude of bogus compilations being created by his previous record company, Mothermania contains exclusive mixes and is treated with All Analog production from the original 1969 master tape by Bernie Grundman at Bernie Grundman Mastering, 2019. Pressed on 180g audiophile vinyl by Pallas MFG.

'Is this the Mothers Of Invention recording under a different name in a last ditch attempt to get their cruddy music on the radio?' Cruising With Ruben & The Jets, FZ's homage to Doo-Wop and classic R&B, is re-issued with the original 1968 mix on 180g vinyl from the master analog tape.

Limited 180gm vinyl LP pressing. Zappa Records/UMe release a 40th anniversary vinyl edition of Orchestral Favorites, with the original album mastered by Bernie Grundman and the newly-created anniversary art and cover. Unpromoted at the time and issued alongside several other titles without Zappa's permission or quality control, it was publicly criticized by the artist for it's lack of liner notes or credits and unapproved artwork. The new edition from Zappa Records/UMe commemorates the event at UCLA's Royce Hall where the album compositions were recorded in September 1975. Listeners will be transported back to September 1975, when Zappa scheduled the Royce Hall event in between trying out new band members and preparing for a tour. "Frank supervised everything," recalls Travers in the liner notes, "hired sound and lights, mixed the front of house sound at times, conducted the orchestra on occasion, and played guitar with them."

The unique work, Lumpy Gravy, is comprised of orchestral performances recorded at Capitol Studios in 1967. Interspersed with tape collage and dialogue brilliantly edited by FZ and his razor blade, it went on to become Frank and Gail Zappa's favorite record of the catalog. Pressed on 180g vinyl from a pristine 1968 analog safety tape found in the Vault.

“Feeding The Monkies At Ma Maison” is a work originally intended for vinyl by Frank Zappa and realized on his Synclavier. (Consider FZ’s Grammy Awarding-winning “Jazz From Hell” as an introductory prequel, having been created earlier in the same year.) Cut directly from 1630 Digital Master by Chris Bellman at Bernie Grundman Mastering, 2015. First time the three performance will appear on vinyl. Bright orange vinyl.

Track List
"Feeding the Monkies at Ma Maison", "Buffalo Voice", "Secular Humanism"

Triple 180gm vinyl LP pressing. In 1976, Frank Zappa played four historic sold-out concerts at The Palladium in New York City the week between Christmas and New Year's. In celebration of it's eventual release in 1978, this 40th Anniversary Edition features all-analog mastering of the original album mix, unavailable since first issued. Plus, an additional LP of select bonus content from The Vault, and new liner notes from Ruth Underwood and Ray White.

Limited vinyl LP repressing of this 1965 album. The custom 'vintage' package is totally bespoke and original, and perfectly replicate the style of classic LP covers of the early 1960s period, with exceptional scanning, detailed reproduction of artwork and printing to original specifications made up from two parts, complete with traditional fold-over flaps, thin 'crushed' spine and finished with front side only special laminate. The superb 1965 Zombies beat classic is now available remastered by Jon Astley in glorious original Mono sound and presented as a highly collectable Vinyl LP in a faithful vintage replica of the original LP release. Features all the original 14 tracks, with no fillers, just as originally featured and raved about back in the golden '60s era. Repertoire.

Completely remastered, this all new vinyl collection features some of the greatest songs The Zombies ever recorded, including 'She's Not There,' 'Tell Her No,' 'Leave Me Be,' 'I Love You,' and 'Time of The Season.' Most of the tracks are the original mono US and UK single versions. The Zombies will be on tour this spring to celebrate the 50th anniversary of the recording of their acclaimed album Odessey and Oracle.

Alongside 'Sgt. Pepper' and 'Pet Sounds', there is 'Odessey & Oracle'. A timeless psychedelic classic that belatedly attained the recognition it so thoroughly deserved. The sleeve is a cardboard facsimile of the original LP, the latest release in our popular 'Hip Pocket' series.

Limited vinyl LP repressing of this 1968 album. The custom 'vintage' package is totally bespoke and original, and perfectly replicate the style of classic LP covers of the early 1960s period, with exceptional scanning, detailed reproduction of artwork and printing to original specifications made up from two parts, complete with traditional fold-over flaps, thin 'crushed' spine and finished with front side only special laminate. This classic landmark psychedelic rock album is now available remastered in MONO sound and presented as a highly collectable Vinyl LP that is a faithful replica of the original LP release. Features all the original 12 mono tracks -no fillers, no 'alternative' versions -just as originally intended on the initial LP release, back in the groovy '60s Summer of Love. Come with US on a journey through space and time back to the days when The Zombies ruled. Here is the British pop group's all-time classical 'concept' album, now available on both mono and stereo LPs. All serious 'completist' record collectors and Zombies fans will want to savor a work that has been the subject of a huge revival of interest. Repertoire.

ELECTRIC BLUE VINYL (2LP) : 2017 collection of original recordings featuring 'She's Not There', 'Time Of The Season', 'Tell Her No' , 'Care Of Cell 44', 'Leave Me Be' & more, pressed on 180-gram vinyl.

Limited five 180gm colored vinyl LP set. Hailing from the unlikely setting of St. Albans, The Zombies burst onto the UK and US pop scene in August 1964 with the smash hit "She's Not There", penned by keyboard player Rod Argent. Colin Blunstone's breathy vocals set the record apart from the band's contemporaries, and they followed it up with a second hit in "Tell Her No". Their debut album Begin Here was released on the Decca label in 1965. Despite issuing several more excellent singles, further chart success eluded the band, although Dusty Springfield covered Argent's "If It Don't Work Out" (which the band also recorded). The Zombies signed to CBS in 1967 and recorded a new album over the summer, producing the sessions at Abbey Road and Olympic Studios themselves. The result was the classic Odessey And Oracle, but by the time the album was released in April 1968, the band had split up. "Time Of The Season" went on to be a huge hit in the US in 1969, selling over a million copies. This set is book-ended by the two 'proper' albums that the band recorded, Begin Here and Odessey And Oracle. In between, Early Days and Continue Here round up the band's various A-sides, B-sides and EP tracks. The fourth LP faithfully recreates the R.I.P. album, an intended posthumous release of overdubbed outtakes that was shelved when new band Argent emerged from the ashes of The Zombies. The whole set is housed in a rigid slipcase. The inner sleeves include photos from designer Phil Smee's extensive collection, while the albums are pressed on different coloured vinyl.

Mono edition on clear vinyl with 2 bonus tracks. Great repro of orig Swedish 1965 Decca LP feat 'She's Not There' & 'Whenever You're Ready'

For the first time, the essential studio recordings of Britain’s legendary Zombies are assembled in one place on vinyl. The set includes their two original US albums: She’s Not There/Tell Her No and Odessey & Oracle; two important compilations: I Love You and R.I.P.; as well as a bespoke collection of rare singles and UK-only album tracks: Oddities & Extras. The most comprehensive LP collection ever assembled for The Zombies, confirmed as inductees in the R&R Hall of Fame class of 2019.

Official 15-track live album ... their first-ever! Recorded over several tours, in 13 cities around the world. Cameo by Jeff Beck on two songs, including a cover of Tennessee Ernie Ford's "Sixteen Tons".