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Outside Providence (Music From Miramax Motion Pic) [Rocktober 2020 Red/Orange LP]
Kevin and Christina make out in a car at the airport, flipping off the police officer that tells them to keep moving. Kevin and Christina discuss taking ecstasy as couple's therapy. Kevin and Christina break down and then reconnect. The new love we heard about on the last Of Montreal record, White is Relic/Irrealis Mood, is settling. If that was the falling-in-love record, then this is the staying-in-love record. That was the easy part; this is the interesting part, the challenging part, the next chapter of Barnes' autobiographical album streak, UR FUN. After several albums recorded with collaborators and various band members, Barnes opted to record this one completely alone. In his home studio in Athens, Georgia, Barnes isolated himself in creative hibernation, working obsessive 12-plus hour days arranging manic synth and drum machine maps on a computer screen with bouncy, melodic basslines, glam guitars and layered vocal harmonies. Inspired by albums like Cyndi Lauper's She's So Unusual and Janet Jackson's Control, Barnes set out to make UR FUN into the kind of album where every song could be a single, complete with huge hooky choruses and nostalgic dance grooves. The result is an unstoppably fun album that could also pass for a carefully sequenced greatest-hits collection if taken out of context. UR FUN is another fascinating look into what makes Barnes one of the most prolific and gifted songwriters of this decade.
Four exclusive new songs from prolific songwriter Kevin Barnes.
Sweden’s Opeth are preparing to release their most important record to date with “In Cauda Venenum”. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as Opeth’s lucky thirteenth. Sporting a clever Travis Smith cover—replete with inside jokes and a nod to King Diamond—a masterful Park Studios (The Hellacopters, Graveyard) production, Opeth’s usual five-star musicianship, and lyrics entirely in Swedish, “In Cauda Venenum” raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Ĺkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of “In Cauda Venenum” shouldn’t distract from the quality presented in Opeth’s new songs, the lot of which sneak up and take control after repeated listens. “In Cauda Venenum” is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just Opeth being Opeth.

Sweden’s Opeth are preparing to release their most important record to date with “In Cauda Venenum”. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as Opeth’s lucky thirteenth. Sporting a clever Travis Smith cover—replete with inside jokes and a nod to King Diamond—a masterful Park Studios (The Hellacopters, Graveyard) production, Opeth’s usual five-star musicianship, and lyrics entirely in Swedish, “In Cauda Venenum” raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Ĺkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of “In Cauda Venenum” shouldn’t distract from the quality presented in Opeth’s new songs, the lot of which sneak up and take control after repeated listens. “In Cauda Venenum” is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just Opeth being Opeth.
A Love So Beautiful: Roy Orbison & The Royal Philharmonic Orchestra, produced by Don Reedman and Nick Patrick, features elegant and spirited arrangements of Roy's best original vocal performances with the emotion and world-class musicianship of London's most beloved orchestra, The Royal Philharmonic Orchestra on 2 LP vinyl.
A Love So Beautiful includes the timeless Roy tracks "Oh, Pretty Woman", "You Got It", "Crying" and more while breathing new life into fan favorites such as Drove All Night and the title track "A Love So Beautiful". Additionally, the album will feature instrumental backing from "Roy's boys": his three sons Wesley, Roy Jr. and Alex; plus Roy s grandson Roy Orbison III.
This is the Ozzman’s first album in 10 years and with his recent appearance on the Post Malone track “Take What You Want” as well as his single “Under The Graveyard” which has now been #1 at Active Rock for five weeks and #1 at Classic Rock for nine weeks we are poised to have a massive return to the marketplace. Some of the announced features include longtime guitarist Zakk Wylde, Slash & Duff McKagan (GNR), Chad Smith of the RHCP, and Post Malone guitarist / producer Andrew Watt. There are additional big name features that have yet to be announced.