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On the 31st December 2015 Mötley Crüe took to the stage of the Staples Center in their home city of Los Angeles for their last ever live performance. It was the culmination of a farwell tour which had started in July 2014 and travelled around the world taking in North and South America, Japan, Australia and New Zealand, Europe and the Middle East. The band had signed a legally binding "cessation of touring" contract that prevented them touring as Mötley Crüe beyond the end of 2015 and so this concert truly was "The End". Being Mötley Crüe, they did of course go out in style with a spectacular light show and stage set, pyrotechnics, Tommy Lee's incredible rollercoaster drum solo and a set list packed with Mötley Crüe classics. They may be gone but they'll never be forgotten.

Moral Hygiene comes on the heels of Ministry's acclaimed 2018 album AmeriKKKant (hailed by Loudwire as Jourgensen's own "state of the union" address) that was written as a reaction to Donald J. Trump being elected president-though Jourgensen says this new album is more informational and reflective in tone. "With AmeriKKKant I was in shock that Trump won. I didn't know what to do, but I knew I had to do something. Because I believe if you are a musician or an artist you should be expressing what's going on around you through your art. It's going to happen whether you do it consciously or unconsciously. Moral Hygiene however has progressed even further into a cautionary tale of what will happen if we don't act. There's less rage, but there's more reflection and I bring in some guests to help cement that narrative." Limited to 1,600 worldwide

Moral Hygiene comes on the heels of Ministry's acclaimed 2018 album AmeriKKKant (hailed by Loudwire as Jourgensen's own "state of the union" address) that was written as a reaction to Donald J. Trump being elected president-though Jourgensen says this new album is more informational and reflective in tone. "With AmeriKKKant I was in shock that Trump won. I didn't know what to do, but I knew I had to do something. Because I believe if you are a musician or an artist you should be expressing what's going on around you through your art. It's going to happen whether you do it consciously or unconsciously. Moral Hygiene however has progressed even further into a cautionary tale of what will happen if we don't act. There's less rage, but there's more reflection and I bring in some guests to help cement that narrative." Limited to 300 US indie exclusive

Limited 180gm vinyl LP pressing. Includes insert. Ministry successfully combined industrial heavy metal and electronic beats with a punk attitude. Their fourth album The Mind Is A Terrible Thing To Taste (1989) followed up on their successful effort The Land Of Rape And Honey. When released, the album cracked the Billboard Top 200.

Limited 180gm vinyl LP pressing. 40th anniversary edition of Madness' second studio album Absolutely [UK #2] with exclusive liner notes by Stevie Chick, including interviews with Chris Foreman and Lee Thompson. Features the singles "Baggy Trousers", "Embarrassment" and "The Return of the Los Palmas 7".

Hailed upon its release last year as "vital and comfortable taking new chances” (Rolling Stone) and “cheery, resilient, forever looking forward” (The New Yorker), Paul McCartney’s McCartney III, which topped album charts across the world, is now literally moving into the future in the form of McCartney III Imagined.  Personally curated by Paul, McCartney III Imagined features an A-List assortment of friends, fans and brand new acquaintances, each covering and/or reimagining their favorite McCartney III moments in their own signature styles. The result is a kaleidoscopic reinterpretation of an album Rolling Stone accurately tagged “an inspiration to us all”—one that serves as an extension of the instantly beloved McCartney III while standing on its own as brilliant and adventurous milestone in the McCartney discography.

By going back to basics with Every Good Boy Deserves Fudge, Mudhoney flipped conventional wisdom. Not for the first time - or the last - they would be vindicated. A month after release in July 1991, the album entered the UK album chart at Number 34 (five weeks later, Nirvana's Nevermind entered at 36) and went on to sell 75,000 copies worldwide. A more meaningful measure of success, however, lay in it's revitalisation of the band, casting a touchstone for the future. The record is a major chapter in Mudhoney's ongoing story, the moral of which has to be: when in doubt, fudge it.The album began at Music Source Studio, a large space equipped with a 24-track mixing board - downright futuristic, compared to the 8-track setup that birthed the band's catalytic 1988 debut, "Touch Me I'm Sick." The Music Source session quickly turned into a false start when the results, in guitarist Steve Turner's words, "sounded a little too fancy, too clean." Lesson learned, the band went primitive and got to work at Conrad Uno's 8-track setup at Egg Studio. Named after the cartons pasted on the walls in an optimistic attempt at sound-proofing, Egg boasted a '60s vintage 8-track Spectra Sonics recording console, originally built for Stax in Memphis.So it was that, in the spring of 1991, Mudhoney made Every Good Boy Deserves Fudge. The resulting album is a whirlwind of the band's influences at the time: the fierce '60s garage rock of their Pacific Northwest predecessors The Sonics and The Lollipop Shoppe, the gnashing post-hardcore of Drunks With Guns, the heavy guitar moods of Neil Young, the lysergic workouts of Spacemen 3 and Hawkwind, the gloomy existentialism of Zounds, and the satirical ferocity of '80s hardcore punk. The quartet's special alchemy meant these fond homages never slid into pastiche. Ultimately, Every Good Boy Deserves Fudge epitomised the best of Mudhoney: here was a band reconnecting with it's purest instincts, and in the process reinventing itself. This 30th anniversary edition, remastered by Bob Weston at Chicago Mastering Service, stands as testimony to the creative surge that drove them in this period. The album sessions yielded a clutch of material that would subsequently appear on B-sides, compilations, and split-singles. This edition includes all those tracks, and a slew of previously unreleased songs, including the entire five-track Music Source session.

The Metallica Blacklist celebrates the 30th anniversary and enduring influence of the iconic Black Album, with one of the most ambitious projects ever conceived by the Metallica team: An unprecedented 50+ artists spanning an unbelievably vast range of genres, generations, cultures, continents and more, each contributing a unique interpretation of their favorite Black Album song. All profits from The Metallica Blacklist will be split evenly between the All Within My Hands Foundation and 50+ charities chosen by the artists who play on the album. All music overseen by executive producer Giles Martin.

 

The seven LPs will be housed in die-cut jackets with a booklet in a library-style slipcase. Comes with an MP3 download card.

It’s finally here – Metallica’s eponymous album, better known as The Black Album – is remastered and will be available everywhere on September 10^th. The Black album is one of the most commercially successful and critically acclaimed records of all time, with global sales of over 35 million, and contains a series of unrelenting singles, “Enter Sandman,” “The Unforgiven, “Nothing Else Matters, “Wherever I May Roam,” and “Sad But True.” The standard album is remastered by Bob Ludwig at Gateway Mastering and all other content is remastered by Reuben Cohen at Lurssen Mastering. All content was overseen by executive producer Greg Fidelman.

Limited edition deluxe numbered box set (with magnetic flap) of Metallica (Remastered)includes the album remastered on 180-gram double LP and CD, Sad But True picture disc, three live LPs, 14 CDs and six DVDs featuring unreleased content (live shows, rough mixes, demos, etc), MP3 download card of all audio, four tour laminates, lanyard, three lithos, three guitar picks, lyric folder and sheets, and a 120-page hardcover book with never-before-seen photos + stories from those who were there.

Motörhead in 1981 was a band of extremes; a flammable mix of non-stop celebration over their rising success and punishing graft, underscored by an inter-band powder-keg dynamic. After recording Ace Of Spades, it had shot to number four in the UK; the killer breakthrough after Overkill and Bomber had done essential groundwork, late 1980’s Ace Up Your Sleeve UK tour was a triumphant lap of honour that spilled into the recording of No Sleep ‘Til Hammersmith. The album took its title from an inscription painted on one of the trucks, referencing the 32 gigs they were playing with only two days off. The track listing ended up featuring three tracks from Ace Of Spades, five from Overkill, Bomber’s title track and two from their self-titled debut. Originally released on 27th June 1981, Lemmy is quoted as saying of it “I knew it’d be the live one that went best, because we’re really a live band. You can’t listen to a record and find out what we’re about. You’ve got to see us.” Upon release No Sleep ‘Til Hammersmith went straight to number one, their first and only in the UK and is still the most necessary live album of all time. The No Sleep ‘Til Hammersmith album; brand new remaster created from the original tapes. Pressed on vinyl as a triple album in a 20 page bookpack. Includes a live album of a newly unearthed, previously unreleased concert from the Short Sharp Pain In The Neck tour.

Limited pink vinyl LP pressing. Celebrate the life and music of '80s rock legend Eddie Money with this collection of blockbuster hits that encapsulates the very best of his storied career. Includes the unforgettable '80s classics "Take Me Home Tonight," "Baby Hold On," "Two Tickets To Paradise," and so many more plus exclusive acoustic versions.

The original album is newly re-mastered by Bob Ludwig from the original master tapes and personally overseen by Brian May. The LP is presented in 180g heavyweight black vinyl in spined sleeve with printed inner bag.

Limited red colored viny LP pressing. In 2006 The Melvins released (A) Senile Animal, some 24 years after they started the band, one of the best received records of their career. The album marked the end of a revolving door of musicians with the very welcome annexation for Jared Warren and Coady Willis of Big Business. The refreshed quartet, now featuring double drummers, returned in 2008 with Nude With Boots. Recorded in Los Angeles, the eleven track album cemented the resurgence of The Melvins and finds the band mining their Led Zeppelin and Black Sabbath influences in their one warped style.

LP: Double LP on black vinyl in gatefold jacket with etching on side D. Includes coupon for full download

At last it can be told: the story of how, when The Mountain Goats got together in early March, 2020, it was to make not one album, but two. The idea this time around was to work with Matt Ross-Spang, the dashing Memphis wunderkind who'd engineered that album and charmed us all with his gentle wit and old-school savoir-faire. The Memphis album-Getting Into Knives, which came out last October-would be brighter, bolder, marked by rich and vibrant hues; the Muscle Shoals one-Dark in Here, set for release on June 25-quieter, smokier, but more deeply textured and intense. One of the words that John used when we were talking about the direction for Dark in Here was "wild," which I liked a lot. Not wild in the sense of abandon-these aren't those kind of songs. But wild in the sense of something undomesticated, untamable. Wild like the immutability of nature, the way it will take back any piece of untended space as it's own, whether amidst the AutoZones and Chick-fil-A's of Muscle Shoals or among the ruins of a scientific outpost on the Kola Peninsula. Wild like the whale; like a powerful animal. Or a virus-the beast that awakes, emerges from a forest, and stops the world. You can fight the calamity all you want, but either way, it's going to demand your surrender.

Special limited edition double clear vinyl LP pressing with printed inner sleeve. Trax! Rarities is a collection of early tracks and versions from Al Jourgensen's Ministry and various side projects. Includes the super rare RevCo track "Drums Along The Carbide." Jourgensen is a veteran musician and music producer sometimes credited as Alain Jourgensen, Alien Jourgensen, Uncle Al, Hypo Luxa (his alias as a producer), Dog, Alien Dog Star and Buck Satan. He is a member and/or founder of several industrial rock bands, performing as a singer, guitarist or keyboard player. Though Ministry is his most popular band, he's been involved with many others over the years including Revolting Cocks and 1000 Homo DJs.

Neal Morse (vocals, keyboard, guitar), Mike Portnoy (drums, vocals) and Randy George (bass, keyboards) are each widely acclaimed as progressive rock musicians in their own fields, but fans worldwide know that, together, they can always be relied upon to create a particular magic. On their Cover To Cover series, the trio has covered songs from such greats as, Paul McCartney, Cream, The Who, Jethro Tull, Steely Dan, and many more. They also have also covered some prog classics from the likes of King Crimson and Yes. For the first time ever, the first two releases, Cover To Cover and Cover 2 Cover, will be made available as gatefold 180g 2LP + CD packages, featuring the remastered versions that were included on 2020's Cover To Cover Anthology.

Neal Morse (vocals, keyboard, guitar), Mike Portnoy (drums, vocals) and Randy George (bass, keyboards) are each widely acclaimed as progressive rock musicians in their own fields, but fans worldwide know that, together, they can always be relied upon to create a particular magic. On their Cover To Cover series, the trio has covered songs from such greats as, Paul McCartney, Cream, The Who, Jethro Tull, Steely Dan, and many more. They also have also covered some prog classics from the likes of King Crimson and Yes. For the first time ever, the first two releases, Cover To Cover and Cover 2 Cover, will be made available as gatefold 180g 2LP + CD packages, featuring the remastered versions that were included on 2020's Cover To Cover Anthology.

Demon Records presents Distortion: 1996-2007, the second in a series of four expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould. Bob Mould's career began in 1979 with the iconic underground punk group Hüsker Dübefore forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. Volume two in this new series covers 1996 to 2007, beginning with the 1996 self-titled solo album and continuing through to Mould's 2006 collaboration with Rich Morel BLOWOFF. 6 studio albums across 8LPs, including -Bob Mould, The Last Dog And Pony Show, modulate. (first time on vinyl), Long Playing Grooves. (first time on vinyl), Body Of Song, and BLOWOFF (first time on vinyl). Each album is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects. Accompanying the studio albums is a new compilation Distortion Plus: 1996-2007 which features an array of bonus tracks including the demo version of 'Dog On Fire' (Theme from The Daily Show), B sides and other rarities (pressed on clear vinyl). Includes a 28-page companion booklet featuring: liner notes by journalist Keith Cameron; contributions from Death Cab For Cutie's Ben Gibbard and Best Coast's Bethany Cosentino; lyrics and memorabilia. Mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston.

Also Available: 

Vol.1: Distortion: 1989-1995 [8LP Box Set] 
Vol.2: Distortion: 1996-2007 [Signed 140-Gram Clear Splatter Vinyl] 
Vol.3: Distortion: 2008-2019 [Signed 140-Gram Clear Splatter Vinyl] 
Vol.4: Distortion: Live [Indie Exclusive Limited Edition Signed 140-Gram Clear Splatter 8LP Box Set] 

Demon Records presents Distortion: 1989-1995, the first in a series of four expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould.

Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. Volume one in this new series covers 1989 to 1995, beginning with Mould’s first post Hüsker Dü album Workbook and continuing through to Sugar’s final studio album File Under: Easy Listening.

Also Available: 

Vol.1: Distortion: 1989-1995 [8LP Box Set] 
Vol.2: Distortion: 1996-2007 [Signed 140-Gram Clear Splatter Vinyl] 
Vol.3: Distortion: 2008-2019 [Signed 140-Gram Clear Splatter Vinyl] 
Vol.4: Distortion: Live [Indie Exclusive Limited Edition Signed 140-Gram Clear Splatter 8LP Box Set] 

Single LP on black vinyl in single jacket w/ euro sleeve & matte coating. Includes coupon for full download

An explosive album of pain, rage and fear with some of the most direct and confrontational lyrics of his four-decade career. According to Bob, “This is the catchiest batch of protest songs I’ve ever written in one sitting.”

Vinyl LP pressing. 2012 album from the singer, songwriter and Alt-Rock icon best known for his work with Husker Du and Sugar. Featuring Bob's live band of drummer Jon Wurster (Superchunk) and bassist Jason Narducy (Split Single, Verbow), Silver Age ranks among the best work of any phase of Bob Mould's expansive career. With tracks like opener "Star Machine, " the cathartic title track, "The Descent, " the reflective "Round the City Square, " the celebratory "Keep Believing, " and the somber simmer of closer "First Time Joy, " Silver Age is rife with future classics.

Single LP on black vinyl with euro sleeve. Includes coupon for full download

The cliché that circulated after the 2016 election foretold a new artistic golden age: Artists would transform their anger and anxiety into era-defining works of dissent in the face of authoritarianism.

Yet Bob Mould calls his new album Sunshine Rock.

It’s not because Mould—whose face belongs on the Mount Rushmore of alternative music—likes the current administration. His decision to “write to the sunshine,” as he describes it, comes from a more personal place—a place found in Berlin, Germany, where he’s spent the majority of the last three years. Here Mould would draw inspiration from the new environments.

Limited 180gm clear vinyl LP pressing. The self-titled 1996 studio album from Hüsker Dü and Sugar vocalist and guitarist, Bob Mould. Reissued on vinyl for the very first time. Housed in a reverse-board sleeve. Recorded and mixed after the break-up of Sugar, Mould moved away from a band approach and played every instrument on the album himself. Includes the singles 'Egoverride' and 'Fort Knox, King Solomon'.

Bob Mould's 2014 album Beauty & Ruin is a twelve-track journey of loss, reflection, conciliation, and coming through the other side. Much of Beauty & Ruin deals with the passing of Mould's father in October 2012, Bob's struggle to come to terms with it, himself, and his own identity and legacy, and repercussions of all of the above on his ongoing relationships in the land of the living. Beauty & Ruin is a challenging work of raw beauty and may well be Bob Mould's finest work since his 1989 solo debut, Workbook.

Here’s the deal. In 2012, people loved Silver Age (to a degree that surprised me, pleasantly), likewise Beauty & Ruin in 2014 (despite the heaviness of the subject matter, which I thought might be a bit alienating… apparently not. Another pleasant surprise.). But PATCH THE SKY is the darkest one. After the Letterman performance in February 2015 where “dust fell from the rafters,” it would have seemed logical to go the punk rock route—an entire album of two-minute songs—but that wasn’t where my soul was at. I withdrew from everyday life. I wrote alone for six months. I love people, but I needed my solitude. The search for my own truth kept me alive. These songs are my salvation. I’ve had a solid stretch of hard emotional times, and thanks for the condolences in advance. I don’t want to go into the details—more death, relationships ending, life getting shorter—because they’re already in the songs. Just listen and see if you can fit yourself into my stories. The words make you remember. The music makes you forget. But PATCH THE SKY is also the catchiest one.

50 years following the release of his self-titled first solo album McCartney, featuring Paul playing every instrument and writing and recording every song, Paul McCartney will release McCartney III on December 11th. Paul hadn’t planned to release an album in 2020, but in the isolation of “Rockdown,” he soon found himself fleshing out some existing musical sketches and creating even more new ones. Before long an eclectic collection of spontaneous songs would become McCartney III: a stripped back, self-produced and, quite literally, solo work marking the opening of a new decade, in the tradition of 1970’s McCartney and 1980’s McCartney II. Recorded earlier this year in Sussex, McCartney III is mostly built from live takes of Paul on vocals and guitar or piano, overdubbing his bass playing, drumming, etc. atop that foundation. McCartney III spans a vast and intimate range of modes and moods, from soul searching to wistful, from playful to raucous and all points between — captured with some of the same gear from Paul’s Rude Studio used as far back as 1971 Wings sessions. And Paul's array of vintage instruments he played on the new album have an even more storied history, including Bill Black of Elvis Presley's original trio's double bass alongside Paul's own iconic Hofner violin bass, and a mellotron from Abbey Road Studios used on Beatles recordings, to name but a few. Just as McCartney’s 1970 release marked Paul’s return to basics in the wake of the biggest band break-up in musical history, and the 1980 avant-garde masterpiece McCartney II rose from the ashes of Wings, McCartney III finds Paul back on his own, turning unexpected circumstances into a personal snapshot of a timeless artist at a unique point in history. 

Indie Exclusive Hand-Numbered White LP

The Black Parade, My Chemical Romance's follow-up to its 2004 platinum major-label debut Three Cheers For Sweet Revenge, "is way more dramatic, way more theatrical, completely over the top, borderline psychotic," says Gerard Way. "It's the most pure, intense thing we've ever been involved in." Produced by Rob Cavallo (Green Day), the album is a celebration of love and death and darkness. Join The Black Parade.

Three Cheers For Sweet Revenge – The major label (Reprise Records) debut that established My Chemical Romance as one of the most talented & unique bands of the mid 2000’s. The band combined the best of punk, metal and emo to create a sound that brought hope to darkness. The Songs “I’m Not Okay (I Promise),” “Helena” & “The Ghost Of You” and many others from this album inspired an army of fans (MCRmy) that have remained loyal to this day.

My Chemical Romance: Gerard Way (vocals); Ray Toro, Frank Iero (guitar); Mike Way (bass); Matt Pelissier (drums). My Chemical Romance are another in the swarm of hard-edged, emo-tinged punk-pop bands flooding the market of the early-to-mid 2000s, working firmly in a post-hardcore musical vein that doesn't rule out sensitivity and inspection in lyrical content. On I BROUGHT YOU MY BULLETS, YOU BROUGHT ME YOUR LOVE, the band's debut, My Chemical Romance shows that they don't fool around on either count. Bolstered by chugging, crunching guitars, pulse-quickening rhythms, and passionate, anthemic melodies straight from the alt-rock rulebook, MCR unleashes a blistering intensity that encourages raised, clenched fists, while incorporating elements of nu metal and punk with surprising skill. Lead singer Gerard Way has a way with words, and I BROUGHT YOU MY BULLETS also serves as a tour through the bleaker corridors of the human spirit. Way's angst-infused vocals and lyrics about loneliness, anger, substance abuse, and alienation, prove MCR is fully able to articulately explore the dark side. The combination of thoughtful, expressive themes and pounding, no-nonsense rock buries MCR's softer, bedsitting emo brethren any day of the week, and promises good things to come from this New Jersey outfit.

Limited picture disc vinyl LP pressing. I Brought You My Bullets, You Brought Me Your Love is the debut studio album by American rock band My Chemical Romance, released on July 23, 2002 by Eyeball Records. The album was produced by the band Thursday's vocalist Geoff Rickly at Nada Recording Studio in New Windsor, New York. I Brought You My Bullets, You Brought Me Your Love gave My Chemical Romance an underground following. However, the band did not break into the mainstream with the album; that came with their second album, Three Cheers for Sweet Revenge. During the recording of I Brought You My Bullets, You Brought Me Your Love, lead vocalist Gerard Way had to perform vocals while having a dental abscess, making vocal work difficult for him.

Medium Rarities is the first rarities collection from Mastodon covering their entire career. The compilation features one brand new song – “Fallen Torches”. It also includes a bevy of classic covers, soundtrack contributions, instrumentals, B-sides, and live recordings on one complete package for the very first time. Among an eclectic array of covers, the musicians tackle “A Commotion” by Feist, “A Spoonful Weighs A Ton” by The Flaming Lips, “Atlanta” by Butthole Surfers, and “Orion” by Metallica. It also features soundtrack cuts such as “White Walker”[from the Game of Thrones inspired mix tape] and the soundtrack song “Cut You Up With A Linoleum Knife” [Aqua Teen Hunger Force]. Meanwhile, they get under the hood with instrumental versions of “Asleep in the Deep,” “Toe To Toes,” “Jaguar God,” and “Halloween.”   The limited edition double LP is pressed on pink vinyl.

Vinyl LP pressing. The Makarrata Project is a themed mini-album of collaborations with Indigenous artists. Midnight Oil will donate it's share of any proceeds it receives from this release to organizations which seek to elevate The Uluru Statement From The Heart in particular and Indigenous reconciliation more broadly. After centuries of struggle for recognition and justice, 2017's Uluru Statement called for the establishment of a 'First Nations Voice' enshrined in the Australian Constitution and the establishment of a 'Makarrata Commission' to supervise agreement-making and truth-telling between governments and Aboriginal and Torres Strait Islander peoples. Clearly this mini-album has ended up being timely in ways nobody could have anticipated as the Black Lives Matter movement surges globally and renews local focus on Aboriginal deaths in custody. However, The Makarrata Project was actually recorded late last year after the band regrouped for a European tour. They entered the studio with about twenty songs of which seven revolved around themes of reconciliation so they decided to record that batch of material separately with a wide range of Indigenous collaborators (the rest of the new recordings are slated for a 2021 release).

As chaos envelopes the world, Manson penned the perfect prescription. The aptly titled WE ARE CHAOS was written/produced by Manson & Shooter Jennings. Rock & roll icon and painter, Manson continues to infiltrate fashion, film, and music, leaving his fingerprints on modern culture. "Making this record, I had to think to myself: Tame your crazy, stitch your suit, try to pretend that you are not an animal. But I knew that mankind is the worst of them all.”

As chaos envelopes the world, Manson penned the perfect prescription. The aptly titled WE ARE CHAOS was written/produced by Manson & Shooter Jennings. Rock & roll icon and painter, Manson continues to infiltrate fashion, film, and music, leaving his fingerprints on modern culture. "Making this record, I had to think to myself: Tame your crazy, stitch your suit, try to pretend that you are not an animal. But I knew that mankind is the worst of them all.”

Standard weight clear vinyl

The Waterfall II completes The Waterfall, My Morning Jacket’s acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, "this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions."