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Drive-By Truckers released The Unraveling on Jan 31st 2020 and set out for what was supposed to be a full year of touring. Needless to say it did not go as planned. "The New OK" is a phrase Patterson Hood found himself saying a lot these past few months. This new album, made up of songs left over from The Unraveling sessions and new ones written and recorded since, hopefully balances out the darkness of our current situation with a hope for better days and nights ahead.

Double vinyl LP pressing. After years of success as a songwriter, Neil stepped into the spotlight and became the singing star he was destined to be. That stardom stretched decades, as does this double-vinyl comp, which takes us from the '60s to the '80s: a rare solo version of "You Don't Bring Me Flowers" plus his hits "Cherry, Cherry," "Girl You'll Be a Woman Soon," "Sweet Caroline," "Kentucky Woman," "I'm a Believer," "Red Red Wine," "Holly Holy," "Shilo," "Cracklin' Rosie," "I Am... I Said," "Song Sung Blue," "Forever in Blue Jeans," "Hello Again," "Love on the Rocks," "America" and more!

Double vinyl LP pressing. Hot August Night/NYC is a release from Neil Diamond featuring songs from Diamond's four shows at Madison Square Garden during his 2008 tour. This is the third in a series of similarly titled live albums; it was preceded by Hot August Night (1972) and Hot August Night II (1987).

Double vinyl LP pressing. Hot August Night II is a live album by Neil Diamond. This is a follow-up to his 1972 double album Hot August Night and was recorded in August 1986 and released on November 10, 1987.

Double vinyl LP pressing. A recording of a 2012 concert at The Greek Theatre in Los Angeles commemorating the 40th anniversary of the iconic event! Includes 'Sweet Caroline', 'Forever In Blue Jeans',' America', 'Cracklin' Rosie' and more.

Love at the Greek is a live double album by Neil Diamond which was released in 1977. It was Diamond's second live album recorded from a concert at The Greek Theater in Los Angeles, and Neil's second album produced by Robbie Robertson of The Band (the first being 1976's Beautiful Noise). This album was released in conjunction with a television special broadcast of the concert footage that aired in the United States on February 21, 1977. Pressed on 2LP Black Vinyl.

Limited 180gm vinyl LP pressing. The Jazz Singer is an album by Neil Diamond which served as the soundtrack album to the 1980 remake of the film The Jazz Singer. The soundtrack was released in November 1980 originally on Capitol Records, instead of his then-usual Columbia Records, because the film was produced by EMI Films, owned by the parent company of the label for which the soundtrack was released. The soundtrack was a huge success and became Neil Diamond's biggest selling album in the United States, selling over five million copies and reaching #3 on the pop albums chart. This would mark the second time a Neil Diamond soundtrack outperformed the movie it came from (after Jonathan Livingston Seagull). Three of the songs from the album became Top 10 pop singles, with "Love on the Rocks", "Hello Again" and "America" reaching #2, #6, and #8 respectively.

Limited 180gm vinyl LP pressing. Brother Love's Travelling Salvation Show is the name of Neil Diamond's fourth studio album, released in 1969. Four months after the title cut became a #22 hit, Diamond recorded and released a new single, "Sweet Caroline", which reached #4. Because of it's popularity, this song was added to the end of later pressings of the album, which was also given a new sleeve with the album shown as Sweet Caroline/Brother Love's Travelling Salvation Show although the title was still written as Brother Love's Travelling Salvation Show on the label.

A dancefloor-filling EP from 80s New Wave sensation Dead or Alive featuring their timeless club classic "You Spin Me Round (Like A Record)" plus covers of Madonna, Prince and more - available on a limited edition colored vinyl pressing with pull-out poster!

Limited edition color vinyl pressing. Universal. 2020.

The French twosome behind Daft Punk, Thomas Bangalter and Guy-Manuel De Homem-Christo, get away with an awful lot. They go around impersonating aliens and robots in their interviews, they put records out only once every three years, and they make music that evokes a million other artists--while not really sounding like any of them. The keyboard noodlings of Jean-Michel Jarre are in there somewhere, along with the otherworldly imagery and giant hooks of '70s rock icons like Boston or even Electric Light Orchestra. There are dashes of 1999-era Prince and oodles of new wave and disco cheese, from Harold Faltermeyer and Gary Numan to the Bee Gees, all set off with efficient house beats.

Random Access Memories is the new album from Daft Punk. Collaborators include Nile Rodgers, Chilly Gonzalez, Giorgio Moroder, Julian Casablancas, Pharrell Williams, Paul Williams, Todd Edwards, Panda Bear and DJ Falcon. Vinyl edition of Random Access Memories is pressed in Europe on two high quality 180 gram LPs and presented in gatefold packaging with an 8 page booklet. Download code also included.

Limited vinyl LP pressing. Grave Disorder is a 2001 album from punk rock legends The Damned, their first studio full length since 1995's Not Of This Earth. The album is musically similar to Dave Vanian and Captain Sensible's previous Damned collaboration, Strawberries. It uses a combination of modern sampling and looping ("Absinthe"), gothic rock ("Thrill Kill"), punk rock ("Obscene" and "Amen"), deep gothic piano pieces ("Beauty Of The Beast" and "The End Of Time"), and more traditional pop songs. The song "Lookin' for Action" appeared on the Warped Tour 2002 Tour Compilation. Songs like "W" (about the 2000 election and George W. Bush) have a sound very reminiscent of Britpop (such as the sound they exhibited on Strawberries). "song. Com" offers a tongue-in-cheek commentary on the Internet, while "Democracy?" offers a rebuke of what they see as the futility of democracy and political revolution.

Vinyl LP pressing. Digitally remastered edition of this 1982 album by the punk icons. Strawberries For Pigs, as the album was originally entitled, was The Damned's fifth studio album, and was released in by Bronze Records. · Describing the album, Trouser Press wrote "Eclectic and inconsistent but well-produced and boasting some fine tunes, Strawberries shows Sensible's increasing pop prominence and Vanian's willingness to explore a stylistic pallette with no debt to punk." The album is extraordinary, from the sleeve depicting a pig with a strawberry, which stood in stark contrast to the band's contemporaries, right through every track. The music is amongst the best the band ever recorded and can now be appreciated as a classic rock album, not a strange record by a punk band, which is how it was received by many way back in 1982.

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening "My Own Summer (Shove It)," serves as an introduction to the album's sonic theme: sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to "Headup," while "MX" finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles: his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl.

This 2011 compilation album features the Deftones' unique takes on classic songs from The Cars, Drive Like Jehu, The Smiths, Sade, Jawbox, The Cardigans, Lynyrd Skynyrd, Japan, Duran Duran, The Cure & more.

Hey, everybody: We are de la Soul: Posdnous, Dave, and Maseo. We're best known for our albums 3 FEET HIGH AND RISING, DE LA SOUL IS DEAD, STAKES IS HIGH and many others. Some of our hit singles include "Me Myself and I," "Saturdays" and "Feel Good Inc." a collaboration with Gorillaz. Over the last three years, we've collaborated with some of L.A.'s finest studio musicians and recorded them in free-styled, unrehearsed, jam sessions. We have a fantastic cast of artist we've collaborated with. Damon Albarn (of Blur/Gorillaz), 2 Chainz, Little Dragon, and David Byrne (of Talking Heads) have blessed us with their talents.

Vinyl LP pressing. Highly anticipated 2012 debut album from the New York-based singer, songwriter and performer. She has described herself as a "gangsta Nancy Sinatra" and cites Britney Spears, Thomas Newman and Bruce Springsteen as her musical influences. Lana Del Rey's direct influences were visual as well as musical; David Lynch, soundtracks for `50s black and white movies, the whirring sound of the Ferris at Coney Island, fame itself. She lived in a New Jersey trailer park and decked her homestead in flags, streamers and seasonally inappropriate Christmas lights. Like these things she loves, the album sparkles with color and vitality. Includes the hit singles 'Video Games' and 'Blue Jeans'.

Norman Fucking Rockwell! will be released on August 30, 2019 on Interscope Records. It is Lana Del Rey’s highly anticipated fifth studio album, following four previously released instant grats, including her Alternative radio hit, “Doin’ Time."

Brand new album from platinum, Grammy nominated recording artist Lana Del Rey! The album features the hit songs West Coast and Shades of Cool.

Vinyl LP pressing of this 1985 album from the British Rock band led by guitarist/vocalist Mark Knopfler. When their self-titled debut album was released in 1978, the band garnered plenty of attention but it took another seven years before BROTHERS IN ARMS turned them into global superstars. After one more studio album, the band split up but they left behind a lasting legacy that continues to be embraced by new fans and new generations every year.

Limited double 180gm vinyl LPs pressed at 45RPMs. Mobile Fidelity's numbered limited-edition breathes with transparent highs, atmospheric heft, and lifelike tonalities. The sense of realism this edition delivers will leave slack-jawed even the most demanding listeners. Never has it sounded so reach-out-and-touch-it realistic as it does on this analog pressing. All of the hallmark characteristics - ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production - are here in spades. This is the hand-down ultimate sounding version of this audiophile favorite ever made. 1985's Brothers in Arms has sold more than nine million copies in U.S. alone and ranks #351 on Rolling Stone's 500 Greatest Albums of All Time list. One of the world's best-selling records and an era-defining Grammy-winning set that catapulted an acclaimed band to arena status, Dire Straits' Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade. The album remains idiosyncratic for it's covetable combination of adventurous songwriting, precision-based performances, and reference-caliber fidelity. Mastered from the original master tapes, pressed at RTI, and possessing a richness befitting the album's stellar reputation.

Dire Straits Expand Musical Framework and Come Into Own on Making Movies: Co-Produced by Jimmy Iovine, Thematic Album Soars With Personal Songwriting and Epic Arrangements. Cinematic Landscapes and Intricate Passages Sound Sublime: Mobile Fidelity 45RPM 2LP Pressing of Making Movies Mastered from Original Master Tapes, Features Audiophile Dynamics. Bruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn Making Movies Into a Classic: Includes 'Romeo and Juliet,' 'Tunnel of Love,' 'Solid Rock'. Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again. Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record - which contains many Springsteen-esque elements - features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about. You know you're in the presence of sonic greatness as soon as the first few seconds of the opening 'Tunnel of Love' pass, as the introductory passage built on organ and piano - new additions to Dire Straits' palette - intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve. Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks. The album's power isn't lost on Iovine, who later told Rolling Stone: 'The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that.' Indeed, the first five tracks - 'Tunnel of Love,' 'Romeo and Juliet,' 'Skateaway,' 'Expresso Love,' 'Hand in Hand' - comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.

Vinyl LP pressing of this 1978 album from the British Rock band led by guitarist/vocalist Mark Knopfler. When their self-titled debut album was released in 1978, the band garnered plenty of attention but it took another seven years before BROTHERS IN ARMS turned them into global superstars. After one more studio album, the band split up but they left behind a lasting legacy that continues to be embraced by new fans and new generations every year.

Limited edition double 180gm vinyl LP pressing of this 1983 album from the New Wave/Pop quintet housed in a wide spine sleeve. The first LP contains the digitally remastered edition of the original album while the second slab of wax is a twelve inch vinyl single including remixes. EMI.

The historic unreleased demo recordings by 80s new wave icons Duran Duran featuring the group s early frontman Andy Wickett alongside Nick Rhodes, John Taylor and Roger Taylor! Includes the original version of the smash hit single Girls On Film plus See Me Repeat Me, which would later become Rio, and 2 other songs that the group shopped around to various labels, eventually signing with EMI!

This Record Store Day release is a double gatefold LP repress of the long out-of-print eight studio album, pressed on 180g green vinyl, with a download card. Limited to 1500 copies.

Children Of The Sun/Anabasis/Agape/Amnesia/Kiko/Opium/Return of the She-King/All In Good Time

Limited double vinyl LP pressing. 1999 release, the third album by American rapper DMX. In 2000, it was certified 4x Platinum and then later 5x Platinum. The album was nominated for Best Rap Album at the 2001 Grammys. In 1999, DMX released his best-selling album... And Then There Was X, which featured the hit single "Party Up (Up in Here)". He has acted in films such as Belly, Romeo Must Die, Exit Wounds, Cradle 2 the Grave, and Last Hour. In 2006, he starred in the reality television series DMX: Soul of a Man, which was primarily aired on the BET cable television network. In 2003, DMX published a book of his memoirs entitled, E.A.R.L.: The Autobiography of DMX. DMX has sold over 30 million records worldwide, making him one of the best-selling hip-hop artists of all time.

Limited vinyl LP pressing including digital download. Pat Garrett & Billy The Kid is Bob Dylan's mostly instrumental soundtrack to the surreal 1973 Western from director Sam Peckinpah. Of the few vocal tracks on the album, the stunning now-classic 'Knocking On Heaven's Door' made it's debut on this release. Roger McGuinn, Booker T. Jones and guitarist Bruce Langhorne appear on this album. "Knockin' on Heaven's Door" is the avowed classic here, but the rest of the songs and instrumentals are a thing of beauty, too, an elemental blend of country, folk and rock.

Limited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. The ever-evasive Bob Dylan never explicitly stated exactly what represented the "another side" of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Experienced in mono, Another Side of Bob Dylan is all that and more. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's 180g 45RPM 2LP set illuminates Dylan's emotional condition - he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection - with microscopic accuracy and unparalleled directness. The preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album - making the mono mix all the more historically valuable and truthful. The uninhibited joie de vive is discernible in the rattling piano lines on "Black Crow Blues," seemingly subconscious ramble of the hysterical folk rhyming of "Motorpsycho Nightmare," bluesy dream sequencing throughout "I Don't Believe You," and intentionally out-of-tune yodeling during "All I Really Want to Do." On a majority of the prized set, Dylan let's his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.

Triplicate, is the new three disc studio album from Bob Dylan. The collection features 30 brand-new recordings of classic American tunes and marking the first triple-length set of the artist's illustrious career. With each disc individually titled and presented in a thematically-arranged 10-song sequence, Triplicate showcases Dylan's unique and much-lauded talents as a vocalist, arranger and bandleader on 30 compositions by some of music's most lauded and influential songwriters. The Jack Frost-produced album is the 38th studio set from Bob Dylan and marks the first new music from the artist since Fallen Angels, which was released in early 2016.

Limited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by deviating from the norm and straying from expectation - but continuing to work in the mono format. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with reassurance and freshness, the unobtrusive sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, this restored mono version presents the 1967 album with finite details and in the original sound Dylan intended. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylan's acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoy's bass with previously unheard character. With the advantage of wider and deeper grooves, the 45RPM pressing also affords the opportunity to detect more information and lavish in the extra richness. The preferred mix at the time of the recording, the mono version presents Dylan with unparalleled directness. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the all-star accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. As much as any Dylan record, the music here fits the mono spectrum to a proverbial 't.'