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Random Access Memories is the new album from Daft Punk. Collaborators include Nile Rodgers, Chilly Gonzalez, Giorgio Moroder, Julian Casablancas, Pharrell Williams, Paul Williams, Todd Edwards, Panda Bear and DJ Falcon. Vinyl edition of Random Access Memories is pressed in Europe on two high quality 180 gram LPs and presented in gatefold packaging with an 8 page booklet. Download code also included.

Hey, everybody: We are de la Soul: Posdnous, Dave, and Maseo. We're best known for our albums 3 FEET HIGH AND RISING, DE LA SOUL IS DEAD, STAKES IS HIGH and many others. Some of our hit singles include "Me Myself and I," "Saturdays" and "Feel Good Inc." a collaboration with Gorillaz. Over the last three years, we've collaborated with some of L.A.'s finest studio musicians and recorded them in free-styled, unrehearsed, jam sessions. We have a fantastic cast of artist we've collaborated with. Damon Albarn (of Blur/Gorillaz), 2 Chainz, Little Dragon, and David Byrne (of Talking Heads) have blessed us with their talents.

Vinyl LP pressing. Highly anticipated 2012 debut album from the New York-based singer, songwriter and performer. She has described herself as a "gangsta Nancy Sinatra" and cites Britney Spears, Thomas Newman and Bruce Springsteen as her musical influences. Lana Del Rey's direct influences were visual as well as musical; David Lynch, soundtracks for `50s black and white movies, the whirring sound of the Ferris at Coney Island, fame itself. She lived in a New Jersey trailer park and decked her homestead in flags, streamers and seasonally inappropriate Christmas lights. Like these things she loves, the album sparkles with color and vitality. Includes the hit singles 'Video Games' and 'Blue Jeans'.

Norman Fucking Rockwell! will be released on August 30, 2019 on Interscope Records. It is Lana Del Rey’s highly anticipated fifth studio album, following four previously released instant grats, including her Alternative radio hit, “Doin’ Time."

Brand new album from platinum, Grammy nominated recording artist Lana Del Rey! The album features the hit songs West Coast and Shades of Cool.

The historic unreleased demo recordings by 80s new wave icons Duran Duran featuring the group s early frontman Andy Wickett alongside Nick Rhodes, John Taylor and Roger Taylor! Includes the original version of the smash hit single Girls On Film plus See Me Repeat Me, which would later become Rio, and 2 other songs that the group shopped around to various labels, eventually signing with EMI!

This Record Store Day release is a double gatefold LP repress of the long out-of-print eight studio album, pressed on 180g green vinyl, with a download card. Limited to 1500 copies.

Children Of The Sun/Anabasis/Agape/Amnesia/Kiko/Opium/Return of the She-King/All In Good Time

Limited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. The ever-evasive Bob Dylan never explicitly stated exactly what represented the "another side" of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Experienced in mono, Another Side of Bob Dylan is all that and more. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's 180g 45RPM 2LP set illuminates Dylan's emotional condition - he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection - with microscopic accuracy and unparalleled directness. The preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album - making the mono mix all the more historically valuable and truthful. The uninhibited joie de vive is discernible in the rattling piano lines on "Black Crow Blues," seemingly subconscious ramble of the hysterical folk rhyming of "Motorpsycho Nightmare," bluesy dream sequencing throughout "I Don't Believe You," and intentionally out-of-tune yodeling during "All I Really Want to Do." On a majority of the prized set, Dylan let's his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.

Triplicate, is the new three disc studio album from Bob Dylan. The collection features 30 brand-new recordings of classic American tunes and marking the first triple-length set of the artist's illustrious career. With each disc individually titled and presented in a thematically-arranged 10-song sequence, Triplicate showcases Dylan's unique and much-lauded talents as a vocalist, arranger and bandleader on 30 compositions by some of music's most lauded and influential songwriters. The Jack Frost-produced album is the 38th studio set from Bob Dylan and marks the first new music from the artist since Fallen Angels, which was released in early 2016.

Limited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by deviating from the norm and straying from expectation - but continuing to work in the mono format. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with reassurance and freshness, the unobtrusive sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, this restored mono version presents the 1967 album with finite details and in the original sound Dylan intended. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylan's acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoy's bass with previously unheard character. With the advantage of wider and deeper grooves, the 45RPM pressing also affords the opportunity to detect more information and lavish in the extra richness. The preferred mix at the time of the recording, the mono version presents Dylan with unparalleled directness. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the all-star accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. As much as any Dylan record, the music here fits the mono spectrum to a proverbial 't.'

Fallen Angels is the 37th studio album from Bob Dylan. Featuring twelve classic American tunes written by some of music's most acclaimed and influential songwriters including Johnny Mercer, Harold Arlen, Sammy Cahn And Carolyn Leigh the album showcases Dylan's unique and much-lauded talents as a vocalist, arranger and bandleader. The Jack Frost-produced album marks the first new music from the artist since his 2015 release, Shadows In The Night, which also showcased Dylan's interpretations of classic American songs. That album reached the Top 10 in seventeen countries, including #7 in the U.S., with #1 debuts in the United Kingdom, Ireland, Sweden and Norway.

Shadows In The Night is Bob Dylan's newest studio album. Featuring ten tracks, the Jack Frost-produced album is the 36th studio set from Bob Dylan and marks the first new music from the artist since 2012's worldwide hit Tempest.

Limited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. Immediately distinguished by the direct mono sound and you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are A Changin' sounds an unmistakable clarion call on behalf of progress and it's unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and it's unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner like few albums before or since. Mastered from the original master tapes and pressed on 180g LP at RTI, Mobile Fidelity's restored 45RPM analog version delivers the landscape-shifting music in reference-quality mono sound that transports you to Columbia's Studio A. Reflecting the austerity of the topics and Dylan's mood, the sonics are direct and unadorned-each word hitting with weight, each phrase lingering until it pulls you under, each storyline echoing as fact. The hollow body of Dylan's guitar, internal mechanisms of his harmonica, and graininess of his throat come across in full-on detail. Wider grooves mean more information reaches your ears. As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album-making the mono mix all the more historically valuable and truthful.